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PHULE’S THIRD EYE STILL BURNS

Prof Dr Avinash Kolhe reflects on a dramatic reading of Jyotiba Phule’s Trutiya Ratna, exploring its critique o...

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WIFF MUMBAI TALKS CHANGING CINEMA

In the run-up to WIFF Mumbai 2026, The Daily Eye brings you the unmissable conversations of 2025—when dialogue became the beating...

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LEADERSHIP WAS NEVER MEANT TO BE GENDERED

Sushmita Chowdhary examines the enduring barriers women face in leadership, connecting India's historic women leaders, matria...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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WHY MOTHERS ECLIPSE FATHERS DAILY

Monojit Lahiri explores why Mother’s Day commands greater emotional resonance than Father’s Day, exam...

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BARNALI RAY SHUKLA ON CINEMA, LIFE, POETRY

Writer, filmmaker and poet Barnali Ray Shukla speaks to Vinta Nanda about poetry, independent cinema, Satya, marriage...

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YOUNG INNOVATORS FIGHT MICROPLASTIC CRISIS

Indian teenagers Vivaan Chhawchharia and the Plas-Stick team have won The Earth Prize Asia 2026 for creating a low-cost tamari...

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COCKROACH GENERATION CHALLENGES SILENCE

A viral digital movement inspired by a controversial judicial remark transformed into a youth-led expression of dissent, questioning power, dem...

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