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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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BARNALI RAY SHUKLA'S FEARLESS PORTRAIT

Vinta Nanda discovers Barnali Ray Shukla's humane documentary I Run Into Chairs, an intimate portrait of Divyanshu Ganatra's f...

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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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THOUGHT FACTORY: CENSORSHIP, CINEMA, AND THE COST OF CONSCIENCE

A searing conversation between filmmaker Vinta Nanda and journalist Anna MM Vetticad on censorship, complicity, and conscience...

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POLITICS: DISTORTING HISTORY AND SPREADING HATE

Textbooks are increasingly misrepresenting with deletions and distortions altering historical facts. This alarming trend, with targeted violenc...

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KALEIDOSCOPE: THE THIRD SKY IS AN ANTHOLOGY OF QUEER STORIES FROM ASSAM

A Fresh Perspective on Queer Studies in Assamese: ‘Tritiya Akash’. Utpal Datta introduces this unique anthology of...

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POLITICS: REGRESSIVE ACTIONS IN THE MODERN WORLD

Humra Quraishi comments on reports coming in of the centre awarding Sainik School agreements to educational institutions assoc...

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