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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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REIMAGINING MENTAL HEALTH THROUGH COMPASSION

In this deeply personal conversation, Vinta Nanda speaks with Sachin Chaudhry about mental health, emotional resilience, AI, e...

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INDIA CENSUS 2027 INCLUSION CHALLENGES

Population Foundation of India calls for inclusive and secure approach to India’s first digital Census. As India begins Census 2027, conc...

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BUSINESS: GIG WORK AND CAPITALIST FAILURE

Sharad Raj examines the New Year’s Eve gig workers’ strike to expose how neo-capitalism, privatisation, and algori...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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ALTERNATIVE ENTERTAINMENT: DOING IT MY WAY

Lately, it’s been raining awards and accolades on the path-breaking multi-media achiever. And she has preserved a child-like persona, ope...

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BOLLYWOOD: LOVE, AGE, CHAOS, REPEAT

A witty, uneven yet engaging romantic comedy, De De Pyaar De 2 explores age-gap love with humour, nostalgia, and emotional warmth, del...

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THOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO

Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...

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BOLLYWOOD: MR. MOHABBAT ZINDABAD!!

As Dilwale Dulhania Le Jayenge completes 30 years of success, Monojit Lahiri takes you down memory lane tracing the life and t...

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