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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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FESTIVALS: WINNER OF THE KASHISH 2025 POSTER DESIGN

Auroville-based designer wins KASHISH 2025 poster contest as South Asia’s biggest LGBTQIA+ film festival prepares for a vibrant celebrati...

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POLITICS: MAHARASHTRA’S DEMOCRACY AT CROSSROADS

As Maharashtra approaches crucial elections, the current government’s tactics raise questions about democratic integrity, corruption, and...

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BEST INDIAN NEWS NETWORKS OF 2023: SUPRIYA SHRINATE

Amidst the rapid flow of information and the ever-evolving media landscape, the role of news networks has become pivotal in shaping public opin...

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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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OSCARS & INDIA – S – L – A – P!!

Not Will Smith and Chris Rock, but Oscars and our film industry, over years! Can the thappads ever turn to chum...

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Deepika Padukone is India’s most beautiful and glamorous

MS Dhoni is India’s Most Innovative; Saina Nehwal is India’s Most Reliable & Vikrant Massey is India’s Most Progressive a...

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Fly in the ointment: TRP’s

When ‘life’ jives with storytelling evolution happens, writes Vinta Nanda

Ra...

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