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The lives of Freda

Humra  Quraishi visits Andrew Whitehead’s book ‘The Lives of Freda - The Political, Spiritual and Personal Jo...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Signs of the times: Breaking the silence

Humra Quraishi explores why even the brave and honest in positions of authority choose to remain silent when they are witness ...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Home Alone: Neelam Mansingh Chowdhry

It’s Showtime, when you venture out with Chandigarh-based theatre artist, Dr. Neelam Mansingh Chowdhry, writes Vinta Nanda Read More

Emily Wilson the first Woman to translate Homer’s Odyssey into English

“The Odyssey” is the second of the two epic poems attributed to the ancient Greek poet Homer (the first being “The Iliad”), and usually considered t...

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Retroscope - A Veritable Carnival

The 19th edition of CFSI’s festival turned out to be a veritable carnival, a feast of colourful sights and sounds.
Had I not gone, I would have missed the robust...

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