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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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PHULE’S THIRD EYE STILL BURNS

Prof Dr Avinash Kolhe reflects on a dramatic reading of Jyotiba Phule’s Trutiya Ratna, exploring its critique o...

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WIFF MUMBAI TALKS CHANGING CINEMA

In the run-up to WIFF Mumbai 2026, The Daily Eye brings you the unmissable conversations of 2025—when dialogue became the beating...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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WOMEN RESHAPE INDIA'S CREATIVE ECONOMY

From beauty and fashion to design, healthcare, communications and conscious luxury, India's women are building businesses rooted in heritage an...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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RITUPARNO GHOSH'S ENDURING LEGACY

Monojit Lahiri does a flashback on his momentous life and times. He reflects on the visionary filmmaker's extraordinary life, ...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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PRIDE, IDENTITY, COURAGE, FREEDOM, REPEAT

In this Pride Month conversation, Vinta Nanda speaks with Salim Asgarally about identity, transition, family, friendship, fashion, self...

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I LIVE INSIDE THE VISUAL WORLD

Utpal Datta speaks with Sri Lankan filmmaker Nadie Wasalamudaliarachchi about her acclaimed debut feature Pantrum Read More