TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

MUJIB: The Making Of A Nation

Aparajita Krishna has brief but deep conversations with director Shyam Benegal, co-writer Atul Tiwari and costume designer Pia...

The Manipur Man: Bijoykumar Tayenjam

Bijoykumar Tayenjam is an author, a poet and a civil engineer in Imphal, Manipur, writes Vinta Nanda

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A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

Retroscope - A legacy of taste

Young couples who elope to marry, remember Romeo Juliet (the poor kids died)​ Raj Kapoor’s Bobby or the young lovers from a recent Marathi blockbuster Sairat that h...

The Portrayal Of Violence Against Women In Indian Cinema

It has become something of a cliché to claim that the 1950s was the golden age of Indian cinema, and that during the 1950s, we had more women-centric films than at o...