THOUGHT FACTORY: A REVOLUTION BREWING IN THE BURBS

A stunning showcase of six bold one-act plays, The Micro Theatre’s Set A captures the voice of Mumbai’s youth—raw, relevant, ...

The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

Geetanjali Kulkarni: 25 years an Actor

Aparajita Krishna views actor Geetanjali Kulkarni’s life and career through the prism of her cutting-edge work in theatr...

Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

Sunil Shanbag: A Theatre Yatra! Part 2

Aparajita Krishna continues telling the story of Sunil Shanbag from where she left it in Part 1

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Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

The Perfect Marriage

The Marathi play Chi Sau Ka Rangbhumi, produced by Natyasampada’s Anant Panshikar, written and directed by Sampada...

Subash Ghai’s Applause for ‘Bhanvar’ at the 5th Veda session at Whistling Woods

Mumbai, 6th October 2017: What does experimental theatre mean? Can less preparedness be packaged as experimental theatre and win accolades a...