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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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BOLLYWOOD: WHAT MADE MANOJ KUMAR SPECIAL?

Monojit Lahiri’s frank and candid take explores the predictable explosion of emotions and nostalgic tributes from collea...

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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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SO MANY STORIES TO TELL: RITA MEHER

To each one of you who is dreaming big, here’s a story that will confirm that everything is possible. Rita Meher, festiv...

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A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

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ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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Looking after a Family’s Medical Needs

Dr Kishore Madhwani writes on the FAMILY MEDICINE SPECIALIST DAY, which was observed on  SEPTEMBER 27 at NAVI MUMBAI...

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Size Matters?

Film historian Dhruv Somani writes on the phenomenon of filmmakers often selecting lengthy film titles.