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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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RAGHU RAI'S PHILOSOPHY OF SEEING

Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic ...

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INDIAN CINEMA CONQUERS GLOBAL STAGE

From Berlinale to BAFTA: How India’s Cinema Took the World Stage from The Daily Eye #Newsdesk

FESTIVALS: THE POWER OF CREATIVE PARTNERSHIPS

At WIFF Mumbai 2025, a dynamic masterclass in collaboration with the Indo-Canadian Business Council (ICBC) unpacked the power of international ...

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ALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE

Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed share...

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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.

India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...

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FESTIVALS: LANDSCAPE AS A VISUAL BIOGRAPHY

Julia Romano’s Memories of India reimagines landscapes as visual biographies—layered digital collages blending architectur...

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KALEIDOSCOPE: REIMAGINING TAGORE – INTIMACY & IDEOLOGY

A bold theatrical reimagining of Tagore’s Ghare Baire, Ghar Aur Bahar explores the fraught intersections of love, ideol...

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THOUGHT FACTORY: IN MEMORY OF HUMRA QURAISHI

Celebrating the life of Humra Quraishi: A fearless journalist, compassionate storyteller, and relentless advocate for Kashmir and marginalized ...

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GENDER: WHY INDIAN MEN AVOID HOUSE WORK??

Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...

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