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INDEPENDENT CINEMA CROSSES GLOBAL BORDERS

At the Independent Waterfront Film Festival 2025, Rashmi Lamba moderated a compelling conversation on co-productions, legal fr...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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WHEN HOMECOMING ISN’T A ONE-WAY STREET

Saibal Chatterjee reviews Tribeny Rai's deeply personal and moving debut feature Shape of Momo, a nuanced exploration...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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INDIAN CINEMA CONQUERS GLOBAL STAGE

From Berlinale to BAFTA: How India’s Cinema Took the World Stage from The Daily Eye #Newsdesk

WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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JIMMY SHERGILL: A CLASS ACT, ALWAYS

An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...

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MOVIES: WHEN MEMORY BECOMES A COMPANION

When Memory Becomes a Companion is Utpal Datta’s meditative reading o...

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ALTERNATIVE ENTERTAINMENT: AGE, STILLNESS, CINEMA

The stasis of old age rendered with precise strokes becomes not just a theme but an emotional landscape, where caregiving, memory, and routine ...

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