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OHH MY DOG: LOVE, LOYALTY, LOSS

Canine Loyalty Meets A Darker Tale of Loss, Courage and Justice. Arnab Banerjee reviews Amit Rai’s Ohh My Dog, a heartfe...

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HOW AIRTEL'S SOUND BUILT IDENTITY

A.R. Rahman's five-note Airtel anthem transformed sonic branding in India, proving that advertising music can become enduring ...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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GOLDEN ERA HEROINES VERSUS TODAY

Can the timeless beauty, charisma, and talent of Bollywood's Golden Age heroines truly be matched today? Monojit Lahiri explores nostal...

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PRITAM AND PEDRO REVIEW VERDICT

A convention-bound cyber thriller that never quite acquires the unmistakable Hirani magic. Despite capable performances, P...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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COCKTAIL 2 TESTS LOVE’S LIMITS

Arnab Banerjee examines Homi Adajania’s Cocktail 2, exploring fidelity, trust, temptation, and modern relationships whil...

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