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IDENTITY, EXILE, MEMORY AND DEATH
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SUBHASH CHANDRA: THE MAN BEHIND ZEE
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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE
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DINESH RAHEJA’S POETRY OF LONGING
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HOW AIRTEL'S SOUND BUILT IDENTITY
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SLOW CINEMA AGAINST CONSUMED TIME
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WOMEN FACE A DIFFERENT LEADERSHIP CLOCK
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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK
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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT
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DESIGNING SPACES THAT FEEL HUMAN
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IDENTITY, EXILE, MEMORY AND DEATH
Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, Read More
POWERFUL PEOPLE: IDEAS BECOME MOVEMENTS HERE
A conversation between Vinta Nanda and Shenali Rajaratnam, a young global leader shaping future governance, d...
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KALEIDOSCOPE: CINE-INTERIORS BY DEVDUTT TRIVEDI
Devdutt Trivedi, a film scholar, reassesses Mani Kaul's cinema in his book "Cine-Interiors: The Films Of Mani Kaul," which is reviewed by
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FESTIVALS: CRAFTING COMPELLING NARRATIVES
The annual workshop featured guest speakers including Subhash Ghai, Ishita Moitra, Raj Nidimoru, Shridhar Raghavan, Abbas Tyrewala, Durgesh Sin...
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The films of Maya Deren
Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...
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Simple Ways Tech Companies Can Fight Gender Inequality
With Intel’s recent move to promote better hiring practices, many tech companies have begun to take a harder look at issues of diversity in the workplace. At the VMwo...
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