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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE

Prof Dr Avinash Kolhe explores the enduring legacy of Marathi musical theatre as Nehru Centre Mumbai presents its 34th annual ...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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LEADERSHIP WAS NEVER MEANT TO BE GENDERED

Sushmita Chowdhary examines the enduring barriers women face in leadership, connecting India's historic women leaders, matria...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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WHEN CLAY BECOMES LIVING POETRY

Arnab Banerjee finds out how Poettery founders Anubir Singh and Bhavana transformed handcrafted ceramics into a philosophy of ...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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