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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES

Today Mumbai’s film actors have wised up to the fact that fame and fortune don’t last forever. Several yesteryear doom-laden storie...

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HEALTH: WHEN CANCER GETS PERSONAL

As cancer treatment continues to rely on averages and probabilities, a breakthrough approach using live tumor profiling promises to per...

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ALTERNATIVE ENTERTAINMENT: BÉLA TARR, I STRUGGLE TO NEGOTIATE

In this personal tribute by Sharad Raj, the author reflects on Béla Tarr’s cinematic legacy, his...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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TRENDING: CULTURE, SCREENS, STORIES, SHIFTS, POWER

From blockbuster star sightings to emerging tech, awards honouring inclusivity, breakthrough entertainment ventures and the rise of reading-led...

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