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THROUGH HER EYES: ART RESISTS VIOLENCE

A powerful reflection by Sushil Poddar on Ratnabali Kant’s installation performance Nipped in the Bud, where co...

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WHEN CLAY BECOMES LIVING POETRY

Arnab Banerjee finds out how Poettery founders Anubir Singh and Bhavana transformed handcrafted ceramics into a philosophy of ...

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CHASING SHADOWS IN A LOVELESS WORLD

Brij Bhushan, journalist and author, reviews Khalid Mohamed's Not Quite Family: An Intimate Memoir of Bollywood. Recently publ...

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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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TV: THE HEART OF INDIA – MADHYA PRADESH

Part 4 of the Surabhi Diaries by Suhail Tatari: This chapter journeys through Madhya Pradesh’s cultural gems, forgotten ...

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KALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL

A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...

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KALEIDOSCOPE: BRIDGES BUILT THROUGH LITERARY DIALOGUE

The Khushwant Singh Literary Festival debuts in Oxford, uniting voices from India and the UK in a celebration of literature, heritage, ecology,...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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KALEIDOSCOPE: NOSTALGIA AND THE TRAIN TO TAIWAN

Sometimes a short story, sometimes a travelogue, this nostalgic journey aboard the Pushpak Express by Sharad Raj captures an u...

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FESTIVALS: THE KHUSHWANT SINGH LITERARY FESTIVAL OF KASAULI

I had a conversation with Rahul Singh, to know the significance of the Khushwant Singh Literary Festival, writes Vinta Nanda. ...

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