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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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BOLLYWOOD: ECHOES OF JASPAL SINGH’S VOICE

Jaspal Singh's songs from the 1970s still stir the soul. Though his playback career was brief, his mellifluous voice left an indelible mark on ...

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ALTERNATIVE ENTERTAINMENT: TOPSHE FOREVER

On the fiftieth anniversary of Sonar Kella, Siddhartha Chatterjee Reflects on Topshe, Satyajit Ray, and Life Beyond Cinema in this int...

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SHAMIR TANDON: MAKING MUSIC & INNOVATIONS!

Aparajita Krishna talks to Shamir Tandon, who has heard, seen, faced music (smiling emoji) from both behind-the-scenes busines...

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BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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Abar Bochhor Koori Pore: For old time’s sake

A new Bengali film explores the relationship between five school friends who come together after twenty years. Shantanu Ray Chaudhuri <...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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Days of qawwalis

Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today...

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