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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

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PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS

In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...

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MOVIES: WHEN MEMORY BECOMES A COMPANION

When Memory Becomes a Companion is Utpal Datta’s meditative reading o...

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ALTERNATIVE ENTERTAINMENT: DOING IT MY WAY

Lately, it’s been raining awards and accolades on the path-breaking multi-media achiever. And she has preserved a child-like persona, ope...

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RETROSCOPE: THE FLAME THAT STILL BURNS

When Smita Patil Breathed Her Last On The Midnight Of December 13, 1986, The World Of Cinema In General And Indian Cinema In P...

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MOVIES: A STARK MIRROR OF EXPLOITATION

In this powerful review, critic Utpal Datta examines The Untold Agony, revealing how Jayram Waghmode’s ...

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POWERFUL PEOPLE: JUST DO IT

In a conversation, Khalid Mohamed draws out the eventful life and film adventures of writer-actor-director Amole Gupte...

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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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