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IS FACE FUZZ TRENDING NOW?

Are men really back today, and what does facial hair say about modern masculinity? Monojit Lahiri explores how changing workplace cultu...

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ASSI REVIEW: JUSTICE ON TRIAL

A Scathing Indictment of a Society Where Justice Arrives Too Late. Arnab Banerjee reviews Assi, Anubhav Sinha’s searing ...

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BOLLYWOOD: DHARAM–NARAM & HIS BENGALI CONNECT

It was his 90th birthday on the 8th December 2025, and Monojit Lahiri takes a couple of minutes to reveal a little known fact ...

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THOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE

What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...

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KALEIDOSCOPE: BOLLYWOOD MOVIES WERE MY TEACHERS

A personal journey from street performances and film posters to poetic storytelling, Utpal Datta traces how an unexpected ques...

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THOUGHT FACTORY: EULOGIES IN THE POST TRUTH ERA

Reflecting on the legacies of Shyam Benegal and Manmohan Singh: Sharad Raj navigates hyperbolic tributes, nuanced critiques, a...

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ALTERNATIVE ENTERTAINMENT: MITA VASHISHT - TRANSPORTED

"Mita Vashisht, the acclaimed NSD alumna, returns to her alma mater after 29 years, directing Chekov's 'Three Sisters' while reflecting on her ...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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TORN BETWEEN TWO IDEOLOGIES – RAM RAJYA AND RAVAN RAJ

An excerpt from the book Mandodari, by Koral Dasgupta, released at Kitab Khana Mumbai with a conversation between the author and Avantika Bahug...

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