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FESTIVALS: THREE DAYS OF UNMISSABLE BRILLIANCE

In its final three days, the Prithvi Theatre Festival surges toward a spectacular finish, offering dance, theatre, storytellin...

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AI & TECH: KEEPING THE STORY ROOTS ALIVE

Immersive technology is revolutionizing storytelling, but without traditional foundations like theatre, music, and live performance, the evolut...

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THOUGHT FACTORY: A REVOLUTION BREWING IN THE BURBS

A stunning showcase of six bold one-act plays, The Micro Theatre’s Set A captures the voice of Mumbai’s youth—raw, relevant, ...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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A Commanding Actor: Jayati Bhatia

Aparajita Krishna deep dives into actor Jayati Bhatia’s life and career in theatre, television, films and web series. Read More

Born to act: Ahlam Khan Karachiwala

Aparajita Krishna takes a walk through the life of actor Ahlam Khan Karachiwala, born to Indian cinema’s most loved Amja...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Strangers on a Train

There is something romantic about train travel, which is probably why so many love stories begin when two people embark on a journey in a train...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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