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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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IT’S A CONSTANT BATTLE – RAHI ANIL BARVE

The creator of the belatedly lauded Tumbbad, Rahi Anil Barve, who continues to be a warrior for the cause of experime...

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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

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INTERGENERATIONAL CINEMA COURAGE CREATIVE DIALOGUE

At the Self-Discovery: Rediscovering India Festival 2026, led by Neville Tuli, emerging filmmakers engaged in powerful intergenerationa...

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OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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STAY ROOTED AND LET STORIES FIND YOU HOME

From Old Delhi memories to Mughal-era storytelling traditions, Paayal Nair’s personal journey finds renewed purpose thro...

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ALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE

Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed share...

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ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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