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BHARAT RANG MAHOTSAV 2026 OPENS MUMBAI STAGE

The 25th Bharat Rang Mahotsav arrives in Mumbai on February 7, celebrating global theatre, folk traditions, music, and literat...

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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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STAY ROOTED AND LET STORIES FIND YOU HOME

From Old Delhi memories to Mughal-era storytelling traditions, Paayal Nair’s personal journey finds renewed purpose thro...

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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...

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GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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TRENDING: THE QUIET POWER OF COSTUMES

Costume designer Pia Benegal reflects on why her craft remains invisible, how clothes shape character and narrative, and why a...

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THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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ALTERNATIVE ENTERTAINMENT: BÉLA TARR, I STRUGGLE TO NEGOTIATE

In this personal tribute by Sharad Raj, the author reflects on Béla Tarr’s cinematic legacy, his...

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