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TRENDING: GAJRA KOTTARY’S STORYTELLING JOURNEY

Gajra Kottary, screenwriter and author, balances the demands of Indian television with profound novels and short stories, challenging social no...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!

Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...

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XBB1.16 VARIANT– THE NEW SUPER SPREADER

Dr Kishore P Madhwani writes: India, in spite of  acquiring a high coverage of primary COVID vaccination (97%) and its second dose (90%), the precauti...

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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A NOT SO QUIET PICTURE

Humra Quraishi questions the deliberate seeding of hate among different communities in India, which have lived in harmony for ...

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MASKS ON, CARRY ON

Dr Kishore P. Madhwani writes on how not to worry and combat the possibility of the spread of the new COVID variant BF.7.

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Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

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Courtesan Queen

As Rekha brings in her 68th birthday, film historian Dhruv Somani recollects her famous roles as the courtesan who danced her ...

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The Soap Opera

Film historian, Dhruv Somani, tracks the Bollywood stars who have endorsed the iconic Lux toilet soap over the decad...

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