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KALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS

Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...

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BUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?

A Radical Take on Branding: Monojit Lahiri endeavours to unravel a new-age, revolutionary, path-breaking philosophy put forth ...

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FOCUSED AGENDA: CRONYISM AND HINDUTVA

Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the...

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CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th Ma...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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Those Fashion Classics

Khalid Mohamed sizes up Hollywood’s retro-chic, which continues to be the stuff that timeless fashion statements are mad...

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If I Am, So God Must Be!

Humra Quraishi discusses the absence of God in the Hindutva narrative of 2021, that threatened minorities and denied to India ...

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Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

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Where Time Stands Still

Novelist and writer, Adithi Rao, pens a tribute to the famed Mount Carmel College of Bangalore, alma mater to Margaret Alva, D...

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A Bouquet of Talks

This is a bouquet of assorted fragrances, writes Aparajita Krishna

These are narrations t...

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