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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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THOUGHT FACTORY: LEGACY, VISION, ART, AND NATION

This article by filmmaker Sharad Raj celebrates Jawahar Lal Nehru’s 126th birth anniversary by reflecting on Nehru&rsquo...

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TV: A JOURNEY THROUGH GOD’S OWN COUNTRY

Part 2 of Surabhi Diaries by filmmaker Suhail Tatari continues his vivid recollections from the iconic cultural series Surabhi—this time ...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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TRENDING: SCANDAL THAT SHOOK THE WORLD

Khalid Mohamed unspools the shocking adulterous affair in the extra-conservative era of post-independence India, and Europe, b...

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BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

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ALTERNATIVE ENTERTAINMENT: THE HUNT - A HAUNTING MASTERPIECE

SonyLIV’s The Hunt reframes political storytelling with restraint and realism, offering a gripping, almost meditative investigat...

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KALEIDOSCOPE: BRIDGES BUILT THROUGH LITERARY DIALOGUE

The Khushwant Singh Literary Festival debuts in Oxford, uniting voices from India and the UK in a celebration of literature, heritage, ecology,...

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