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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultSATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA
Prof. Dr Avinash Kolhe revisits Satish K Gujral’s centenary retrospective at Mumbai’s NGMA, exploring how Partitio...
Read MoreMARATHI MUSICAL THEATRE TAKES CENTRE STAGE
Prof Dr Avinash Kolhe explores the enduring legacy of Marathi musical theatre as Nehru Centre Mumbai presents its 34th annual ...
Read MoreTHE LAST LANGUAGE OF DEMOCRACY
As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...
Read MoreGOVERNOR REWRITES HISTORY FOR POLITICS
Film critic Arnab Banerjee examines Governor, a politically charged retelling of India's 1991 economic crisis, praising Manoj ...
Read MoreFEARLESS NADIA’S HUNTERWALI FILM PHENOMENON
Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...
Read MoreINDIAN FARMERS BLINDSIDED BY CINEMA
Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...
Read MoreTHOUGHT FACTORY: LEGACY, VISION, ART, AND NATION
This article by filmmaker Sharad Raj celebrates Jawahar Lal Nehru’s 126th birth anniversary by reflecting on Nehru&rsquo...
Read MoreTV: A JOURNEY THROUGH GOD’S OWN COUNTRY





Part 2 of Surabhi Diaries by filmmaker Suhail Tatari continues his vivid recollections from the iconic cultural series Surabhi—this time ...
Read MoreALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED
Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...
Read MoreKALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL
My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...
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