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RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN

A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...

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BUSINESS: B2B2C2P - THE REAL ADVERTISING DILEMMA

Advertising's evolving landscape is driven by tech disruption, founder egos, and changing media dynamics. Can agencies adapt or risk obsolescen...

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POWERFUL PEOPLE: THE FAALTUGIRI TOUR

Janhavi Samant, a force to be reckoned with, hails from the vibrant streets of Dadar, also known as the cradle of India’s cinematic herit...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

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ABOUT BRINGING GURU DUTT TO BENGALI READERS

Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika....

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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Is Conscious AI & Smart Robots Possible?

Even the most advanced Artificial intelligence (AI) systems have no real understanding of what they are really doing, writes Dr. Anurag...

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Badshah: On the mat

The recent controversy over rapper Badshah, allegedly buying likes and views opens up the debate over fake followers on social media once more,...

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My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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