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INDEPENDENT CINEMA CROSSES GLOBAL BORDERS

At the Independent Waterfront Film Festival 2025, Rashmi Lamba moderated a compelling conversation on co-productions, legal fr...

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WHEN SAI FOUGHT FOR WRITERS’ RIGHTS

Khalid Mohamed revisits Sai Paranjpye’s battle over Chashme Buddoor, exposing how India’s screenwriters continue s...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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LEADERSHIP WAS NEVER MEANT TO BE GENDERED

Sushmita Chowdhary examines the enduring barriers women face in leadership, connecting India's historic women leaders, matria...

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MAGDALEN OF THE CANADIAN ARCHIPELAGO

Sohaila Kapur chronicles an unforgettable journey through Canada’s Magdalen Islands, exploring Acadian history, breathta...

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RAGHU RAI'S PHILOSOPHY OF SEEING

Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic ...

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DELHI GYMKHANA: A FAREWELL TO CHARM

Writer, Director, Actor Sohaila Kapur reflects on childhood memories, family legacy, and the uncertain future of Delhi Gymkhan...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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AI DISRUPTS CINEMA AND IDENTITY

As artificial intelligence reshapes cinema, actors confront the loss of control over identity, image, and livelihood, writes <...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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