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RAMAYANA NEEDS MORE EMOTIONAL DEPTH

Epic Spectacle, Elusive Soul: Why the New Ramayana Needs More Heart. Piyush Roy examines how Namit Malhotra and Nitesh Tiwari’s a...

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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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AAKHRI RIDE: MUMBAI AFTER DARK

Arnab Banerjee reviews Aakhri Ride, a Mumbai-set short that blends urban noir, dark comedy and supernatural horror while tracing a migrant driver’s d...

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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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THE FIRST FILM: CINEMA, FREEDOM, DESIRE

Cinema transforms the Confined World By Utpal Datta. In Piyush Thakur’s award-winning short, a young girl’s yearni...

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PRAHAAR REVIEW: JUSTICE AND HEROISM

Prahaar examines Ujjwal Nikam’s role in landmark terror trials, championing due process while struggling to humanise its protagonist. Read More

DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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HAS BOLLYWOOD FORGOTTEN SCREEN LOVE

Today, with crime nationalism, and action calling the shots has love vanished from the screens? Monojit Lahri investigates the fading l...

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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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