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THROUGH AN EYE CURIOUSLY INTERVIEW

In this insightful conversation, interviewer Khalid Mohamed engages photographer Chirodeep Chaudhuri on visual storytelling, B...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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ECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM

Bridging nineteenth-century devotion and contemporary philosophy, this exhibition traces the enduring continuum of printmaking—where pape...

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THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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BUSINESS: KOHLI KE PEECHE KYA HAI??

A hymned and celebrated superstar in every cricket playing nation on planet earth, this guy keeps challenging every former/ existing great to d...

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POWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS

Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his met...

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