ALTERNATIVE ENTERTAINMENT: A LIFE SHAPED BY RHYTHM

When Vinta Nanda met young tabla virtuoso Keshava, he opened up about his life, from a toddler with rhythm in...

MOVIES: POISE WITHOUT EMOTIONAL ENTRY

Billed as a tribute to Rituparno Ghosh, Indradeep Dasgupta’s Grihapravesh does not lack ambition and scale. But the effort shows...

KALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS

Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...

MOVIES: AAMAR BOSS WEARS MANY MASKS

A bittersweet tale of family, loneliness, and emotional overdrive, Amaar Boss blends sentiment with slapstick, raising valid questions while slipping often into me...

ALTERNATIVE ENTERTAINMENT: “I WANT TO TALK” AND EMOTIONAL IMAGINATION

I Want To Talk redefines emotion in Indian cinema, breaking away from mainstream conventions to offer a deeply immersive experience where viewe...

POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

AMIT KHANNA’S JOURNEY AS A LYRICIST

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...