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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultSATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA
Prof. Dr Avinash Kolhe revisits Satish K Gujral’s centenary retrospective at Mumbai’s NGMA, exploring how Partitio...
Read MoreKARUNA SAMTANI AND THE TELE-REVOLUTION
Karuna Samtani, the pioneering Head of Programming and first employee of Zee TV, joins Vinta Nanda to reveal the untold story of India's satellite television Read More
MOTHERS, RESISTANCE AND COURAGE
Sharad Raj examines Sabiha Khanum and Leela Bora, two mothers whose compassion, dignity and courage reveal how motherhood can transcend...
Read MoreEDEN CREEK BENGAL REVIEWED BRILLIANTLY
Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...
Read MoreTWO POWERFUL THEATRE REFLECTIONS
Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...
Read MoreMAMATA BANERJEE FACES DEFINING BATTLE
Ranjan Dasgupta analyses Mamata Banerjee’s toughest electoral challenge in West Bengal, examining political dynamics, BJ...
Read MoreTELEVISION: WHISPERS OF THE WHITE DESERT





This fifth and final chapter of Surabhi Diaries by Suhail Tatari captures Kutch in all its raw beauty—its culture, its c...
Read MoreTHOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO
Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...
Read MoreALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED
Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...
Read MoreKALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL
My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...
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