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IDENTITY, EXILE, MEMORY AND DEATH

Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, Read More

DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

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PURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED

In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...

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WHEN HOMECOMING ISN’T A ONE-WAY STREET

Saibal Chatterjee reviews Tribeny Rai's deeply personal and moving debut feature Shape of Momo, a nuanced exploration...

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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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REIMAGINING MENTAL HEALTH THROUGH COMPASSION

In this deeply personal conversation, Vinta Nanda speaks with Sachin Chaudhry about mental health, emotional resilience, AI, e...

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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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