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BARNALI RAY SHUKLA ON CINEMA, LIFE, POETRY

Writer, filmmaker and poet Barnali Ray Shukla speaks to Vinta Nanda about poetry, independent cinema, Satya, marriage...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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I LIVE INSIDE THE VISUAL WORLD

Utpal Datta speaks with Sri Lankan filmmaker Nadie Wasalamudaliarachchi about her acclaimed debut feature Pantrum Read More

VYJAYANTHIMALA: ‘WHO REMEMBERS ME?’

Khalid Mohamed looks back in affection at the tumultuous life and unmatched acting career of Vyjayanthimala Bali Read More

BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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STUDENT CITY PART 3

in Part 3 of Student City, Prof. Dr. Piyush Roy explores privilege, loneliness, desire, and emotional alienation within the ch...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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THAT CLOSE ENCOUNTER WITH FRANCOIS TRUFFAUT

Khalid Mohamed rewinds way back to 1977 to a face-to--face conversation with Francois Truffaut, one of the ma...

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