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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME

India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...

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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES

Today Mumbai’s film actors have wised up to the fact that fame and fortune don’t last forever. Several yesteryear doom-laden storie...

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RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025

A sweeping year-end chronicle of cinema, culture, memory, rebellion, and conscience—where filmmakers, critics, and artis...

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MOVIES: A STARK MIRROR OF EXPLOITATION

In this powerful review, critic Utpal Datta examines The Untold Agony, revealing how Jayram Waghmode’s ...

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BOLLYWOOD: A BATTLE REMEMBERED FOREVER

A solemn and compelling tribute to courage, sacrifice, and national memory, reviewed by Arnab Banerjee, this film analysis exa...

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TV: TRANSFORMATIVE MADRAS JOURNEY

A deeply personal recollection of discovery, creativity, culture, and artistic encounters in Madras — forming the third chapter of Surabh...

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THOUGHT FACTORY: LEGACY, VISION, ART, AND NATION

This article by filmmaker Sharad Raj celebrates Jawahar Lal Nehru’s 126th birth anniversary by reflecting on Nehru&rsquo...

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