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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultAAKHRI RIDE: MUMBAI AFTER DARK
Arnab Banerjee reviews Aakhri Ride, a Mumbai-set short that blends urban noir, dark comedy and supernatural horror while tracing a migrant driver’s d...
Read MoreIRRFAN: THE ART OF UNDERSTATED ACTING
Sharad Raj explores Irrfan’s extraordinary screen presence, examining how body language, social awareness and meticulous preparat...
Read MoreDURGA PUJA: FAITH MEETS COMMERCIALISM
Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...
Read MoreTHREE STORIES DEMANDING OUR ATTENTION
From an acclaimed Himalayan love story to conversations on body shaming, food safety, cybersecurity and AI, these are three stories from this week that des...
Read MoreWOMEN FILM THEIR OWN LIVES
Prof. Dr. Avinash Kolhe reflects on Mast Mahila Mandali, the remarkable documentary co-created by ten working-class women from Mumbai,<...
Read MoreEDEN CREEK BENGAL REVIEWED BRILLIANTLY
Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...
Read MoreIT’S A CONSTANT BATTLE – RAHI ANIL BARVE
The creator of the belatedly lauded Tumbbad, Rahi Anil Barve, who continues to be a warrior for the cause of experime...
Read MoreSAFAR MEIN SHAHAR: CITY AS CHARACTER
Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...
Read MoreREVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS
The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...
Read MoreTRENDING: AFTER ZUBEEN, A CULTURE REORGANISES ITSELF
Utpal Datta reflects on Assamese culture after Zubeen Garg, tracing legacy, rupture, and renewal across music, cinema, and sta...
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