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MOVIES: HER JOURNEY OF CRAFTING CINEMA

Rosy Bora reflects on her path from assistant director to filmmaker, exploring the emotional depths of her latest film and the challenges of ba...

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SOME LIKE IT CHILLED!!

Why? What is it about ghosts, paranormal and horror tales that is so seductive, enticing and thrillingly scary? What is behind our fascination ...

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BOLLYWOOD’S AMAZING CHUMMA CHUMMA STORY: FROM OOOIMAA TO GO-BABY-GO!

A caress given with lips, key to paradise, the blossom of love, the first discharge of a purely, physical, sexual sensation, the first crisis o...

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Of the People

Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...

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SMOOCH: Bollywoods Shaky Affair With The Kiss?

Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the cooch...

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Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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All It Takes Is Courage

Sushmita Mukherjee’s new one-woman show, Naribai, has her play a face-off between two been interesting women of different social strata. Sunaina is an upper clas...

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The Law Cannot Be Blind Kaleidoscope

12 Angry Men, written by Reginald Rose in 1957 was a teleplay, converted to a film by the great Sidney Lumet. The play is one of the classics of modern theatre&mda...

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“Indian audiences are ready for almost anything – it’s the broadcasters that have to take the onus.” Says Ritu Bhatia in her exclusive interview with us

1. What is your writing background?

I studied film and TV at XIC and then learned on the job in films. I assisted on several films and then wrote A...

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