SOME LIKE IT CHILLED!!

Why? What is it about ghosts, paranormal and horror tales that is so seductive, enticing and thrillingly scary? What is behind our fascination ...

BOLLYWOOD’S AMAZING CHUMMA CHUMMA STORY: FROM OOOIMAA TO GO-BABY-GO!

A caress given with lips, key to paradise, the blossom of love, the first discharge of a purely, physical, sexual sensation, the first crisis o...

Of the People

Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...

SMOOCH: Bollywoods Shaky Affair With The Kiss?

Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the cooch...

Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

All It Takes Is Courage

Sushmita Mukherjee’s new one-woman show, Naribai, has her play a face-off between two been interesting women of different social strata. Sunaina is an upper clas...

The Law Cannot Be Blind Kaleidoscope

12 Angry Men, written by Reginald Rose in 1957 was a teleplay, converted to a film by the great Sidney Lumet. The play is one of the classics of modern theatre&mda...

“Indian audiences are ready for almost anything – it’s the broadcasters that have to take the onus.” Says Ritu Bhatia in her exclusive interview with us

1. What is your writing background?

I studied film and TV at XIC and then learned on the job in films. I assisted on several films and then wrote A...