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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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EK HAAN BRINGS MANTO ALIVE

Manto in Pakistan by Prof Dr Avinash Kolhe: A review of Ek Haan, the Hindi-Urdu play that brings Saadat Hasan Manto’s wit, writin...

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CHEF VINITA GHATGE ON REINVENTION

Sushmita Chowdhary explores Chef Vinita Ghatge’s conversation with Sushma Gaikwad on WMNcomm, reflecting on women’...

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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA

Libby de Liberdade: A Century of Courage, Conscience and Goa’s Freedom explores centenarian freedom fighter Libia Lobo Sardesai&r...

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BIRDS IN THE DARK REVIEW

A luminous tale of souls in search of light. Saibal Chatterjee’s review explores Shashank Walia’s evocative directorial deb...

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A WOMAN UNDER PUBLIC SCRUTINY

Austere, affecting tale of a woman hounded. Saibal Chatterjee’s review of Sandeep Kumar Paul’s Bengali film explor...

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BEYOND THE VOICE, SHIBANI KASHYAP

She Was Called "Just a Singer" Until She Wasn't... Sushmita Chaudhary reviews Shibani Kashyap's podcast with Sushma Gaikwad, a...

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WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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