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THOUGHT FACTORY: A REVOLUTION BREWING IN THE BURBS

A stunning showcase of six bold one-act plays, The Micro Theatre’s Set A captures the voice of Mumbai’s youth—raw, relevant, ...

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A MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED

Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...

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Curious Case of Libaas

Film historian Dhruv Somani writes on the 1982 film of Gulzar, Libaas, with an outstanding music score by R.D.Burman, which ha...

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Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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The Perfect Marriage

The Marathi play Chi Sau Ka Rangbhumi, produced by Natyasampada’s Anant Panshikar, written and directed by Sampada...

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Theatre Festivals still in an Amorphous Stage in India

Going out on a weekend to watch a theatre play is not what comes to one's mind in India. Those who watch plays ...

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Goodbye Shashi Kapoor

One of the brightest stars of our industry now resides in heaven, I guess it is God's turn to say "Mere Paas Shashi Kapoor hai".

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Theatre In Karnataka Needs To Map Social Issues

Theatre in Karnataka is not focusing on social issues instead is obsessed with visual details which doesn't bode well for the growth of the theatre movement and society, fe...

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