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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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OHH MY DOG: LOVE, LOYALTY, LOSS

Canine Loyalty Meets A Darker Tale of Loss, Courage and Justice. Arnab Banerjee reviews Amit Rai’s Ohh My Dog, a heartfe...

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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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VIJAYA MEHTA: THE LEGENDARY BAI LEFT US

Prof. Dr. Avinash Kolhe pays tribute to legendary theatre visionary Vijaya Mehta, whose remarkable journey ac...

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ATUL KASBEKAR: SO CLOSE TO LIFE

Atul Kasbekar, eminent high-glamour photographer, has achieved the impossible. Contradicting his trademark glossy style, he ha...

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PRAMOD PAWAR HONOURED FOR THEATRE

Prof. Dr. Avinash Kolhe celebrates Sangeet Natak Akademi awardee Pramod Pawar, whose remarkable journey through Marathi theatr...

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ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of Anand Hi Anand, a unique theatr...

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