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RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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KALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION

Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...

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BOLLYWOOD: STARS ONCE SHINED IN SILENCE

Explore how Bollywood and Hollywood stars of yesteryear maintained mystique in stark contrast to today’s overexposed celebrity culture dr...

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FESTIVALS: WATERFRONT INDIE FILM FESTIVAL BEGINS

The inaugural event of the Waterfront Indie Film Festival launched in Mumbai’s Aram Nagar, uniting filmmakers, industry experts, and cine...

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THOUGHT FACTORY: CELEBRITIES AND RIGHT TO PRIVACY

From Mystique to Masses: How Modern Media Transformed Stardom into Spectacle. Monojit Lahiri explores the vanishing allure of ...

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All about Eve: A History of the Hindi Film Heroine

All about Eve: A History of the Hindi Film HeroineThe more things change, the more they remain the same when it comes to the portrayal of women...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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The truth about Lies

One of the most defining images of our times is that of Prime Minister Narendra Modiji inaugurating the Atal Tunnel, writes Vinta Nanda...

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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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