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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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BATTLEGROUND TO BOARDROOM: INNER STRENGTH

A Series by Sushmita Chowdhary for WMN COMM: In this opening essay, the writer explores how respect, resilien...

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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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GOVERNOR REWRITES HISTORY FOR POLITICS

Film critic Arnab Banerjee examines Governor, a politically charged retelling of India's 1991 economic crisis, praising Manoj ...

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VYJAYANTHIMALA: ‘WHO REMEMBERS ME?’

Khalid Mohamed looks back in affection at the tumultuous life and unmatched acting career of Vyjayanthimala Bali Read More

THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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105 CHEERS FOR SATYAJIT RAY

Celebrating Satyajit Ray’s 105th Birth Anniversary: Never in the annals of Indian film history has any single filmmaker, before or since,...

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