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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025

A sweeping year-end chronicle of cinema, culture, memory, rebellion, and conscience—where filmmakers, critics, and artis...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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TRENDING: REFLECTIONS ON A TRANSFORMATIVE YEAR

Exploring 2024's defining moments—intersections of politics, culture, and societal evolution—as captured by The Daily Eye’s c...

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THOUGHT FACTORY: WHEN INSTITUTIONS FAIL, ART SUFFERS

When cultural institutions compromise artistic integrity due to bureaucratic interference, creative expression weakens, and a nation's cultural...

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BUSINESS: INDIA'S FDI PARADOX, INEQUITABLE GROWTH

Understanding the Paradox of FDI-Driven Growth in India: Why Employing Labor at International Rates is Key to Equitable Development. Vi...

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POLITICS: ONE-SIDED MEDIA NARRATIVES

Going by the events around the time the Shah Bano verdict was overturned, Vinta Nanda examines Rajiv Gandhi’s rationale,...

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ALTERNATIVE ENTERTAINMENT: UNLIKELY BONDS

"Before Life After Death" explores the struggles of a young pregnant woman and a grieving gynecologist in Singapore. It sheds light on societal...

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WILL WE TRUST EACH OTHER AFTER THE WAR?

This week Humra  Quraishi looks back at her conversations with well-known sociologist Professor Imtiaz Ahmad, who passed ...

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HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

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