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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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POLITICS: COMMUNAL TENSIONS AND THE MUSLIM IDENTITY

An examination of the increasing communal divide in India, focusing on the rising threats to the Muslim community's identity, safety, and digni...

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BUSINESS: INDIA'S FDI PARADOX, INEQUITABLE GROWTH

Understanding the Paradox of FDI-Driven Growth in India: Why Employing Labor at International Rates is Key to Equitable Development. Vi...

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TRENDING: STOP MISREPORTING DEMOGRAPHIC STUDIES TO CREATE FEAR & DIVISION

Media must not misreport the study on population by PM-EAC: Population Foundation of India makes an appeal ac...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

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Tum kya History Parathe ho?

Humra Quraishi writes: Words like riots and rioting hit you hard, because they announce another round of destruction of human ...

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Abar Bochhor Koori Pore: For old time’s sake

A new Bengali film explores the relationship between five school friends who come together after twenty years. Shantanu Ray Chaudhuri <...

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