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AAKHRI RIDE: MUMBAI AFTER DARK

Arnab Banerjee reviews Aakhri Ride, a Mumbai-set short that blends urban noir, dark comedy and supernatural horror while tracing a migrant driver’s d...

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EK HAAN BRINGS MANTO ALIVE

Manto in Pakistan by Prof Dr Avinash Kolhe: A review of Ek Haan, the Hindi-Urdu play that brings Saadat Hasan Manto’s wit, writin...

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AI, ART AND THE HUMAN RIGHT TO CREATE 

Vinta Nanda explores how AI can transform filmmaking without erasing human creativity, artists...

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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA

Libby de Liberdade: A Century of Courage, Conscience and Goa’s Freedom explores centenarian freedom fighter Libia Lobo Sardesai&r...

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THE FIRST FILM: CINEMA, FREEDOM, DESIRE

Cinema transforms the Confined World By Utpal Datta. In Piyush Thakur’s award-winning short, a young girl’s yearni...

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MARG@80 CELEBRATES INDIA’S ARTISTIC HERITAGE

Marg@80: Marching On! By Prof. Dr. Avinash Kolhe explores the legacy of MARG, tracing its contribution to Indian art, architecture and ...

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BIRDS IN THE DARK REVIEW

A luminous tale of souls in search of light. Saibal Chatterjee’s review explores Shashank Walia’s evocative directorial deb...

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BEYOND THE VOICE, SHIBANI KASHYAP

She Was Called "Just a Singer" Until She Wasn't... Sushmita Chaudhary reviews Shibani Kashyap's podcast with Sushma Gaikwad, a...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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THREE STORIES DEMANDING OUR ATTENTION

From an acclaimed Himalayan love story to conversations on body shaming, food safety, cybersecurity and AI, these are three stories from this week that des...

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