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POWERFUL PEOPLE: ADIL HUSSAIN SPEAKING...!

A candid conversation with Adil Hussain, exploring his journey from Assam to global cinema, balancing art and commerce, and hi...

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GENDER: THE PROBLEM WITH FFI'S CITATION ON LAAPATA LADIES

Examining the Complex Narratives of Women in Cinema: 'Laapata Ladies' Sparks Debate on Gender Roles, Patriarchy, and India's Oscar Selection Pr...

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FESTIVALS: IMMORTALISING BIMAL ROY’S CINEMATIC LEGACY

Rinki Roy Bhattacharya discusses the inspiration behind the Bimal Roy Award, the challenges of preserving her father’s l...

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FESTIVALS: SMALL WITH A BIG HEART!

"Aishwarya Restaurant in Kothrud offers an authentic Gavran experience with flavourful, rustic Maharashtrian veg and non-veg thalis. Enjoy gene...

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ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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TRENDING: A CATASTROPHIC TURNING POINT

The arrest of Delhi's Chief Minister and AAP leader, Arvind Kejriwal, represents a catastrophic turning point for the ruling Right-Wing governm...

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FESTIVALS: LIVE THE LIFE ABUNDANT “ONE GREEN PLANET”

There was a time when I would jokingly respond to the standard question by the host replying, ”No. I am a strict non-vegetarian&rdqu...

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ALTERNATIVE CINEMA: THE CINEMA OF SOUND & CUT

"The Zone of Interest" and the cinema of sound and the cut is what Sharad Raj explores as he shares his personal experience wh...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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