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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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POWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS

Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his met...

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TELEVISION: HOW I MET SATYAM, TRULY

A moving, intimate remembrance by Sharad Raj of writer Satyam Tripathi—his brilliance, arrogance, tende...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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FESTIVALS: CELEBRATING CINEMA ON CAMPUS

A Colourful and Intellectual Celebration of Cinema on a University Campus, as reported by Utpal Datta, explores how festivals ...

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GENDER: LIVING ALONE, FINDING INNER STRENGTH

AkelaNest by Aparajita Krishna: A reflective, deeply personal exploration of single living and ageing in India today, AkelaNes...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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BUSINESS: REFLECTIONS OF ADVERTISING’S MR. BHARAT!

From Kolkata’s colonial hangover to the rise of brand Bharat, this reflection, by Monojit Lahiri, celebrates Piyush Pand...

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BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT

A dinner party that promised tension, mystery, and satire turns into a clumsy masquerade of colonial hang-ups and self-importance. Lord Cur...

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BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

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