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COCKTAIL 2 TESTS LOVE’S LIMITS

Arnab Banerjee examines Homi Adajania’s Cocktail 2, exploring fidelity, trust, temptation, and modern relationships whil...

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BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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HALF CAULIFLOWER, PIECE OF CAKE

Sharad Raj reflects on everyday encounters in India that reveal deep economic inequality, questioning middle-class complacency...

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BUSINESS: GIG WORK AND CAPITALIST FAILURE

Sharad Raj examines the New Year’s Eve gig workers’ strike to expose how neo-capitalism, privatisation, and algori...

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THOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO

Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...

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ALTERNATIVE ENTERTAINMENT: A DIP INTO THE RIVER OF FEMALE DESIRE

Writer-director Nidhi Saxena’s second film, Secret of a Mountain Serpent, is an exquisite piece of cinema that blurs the line between the...

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POWERFUL PEOPLE: IN THE NAME OF THE FATHER

From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...

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BUSINESS: DO WHACKY NAMED AD-SHOPS SCORE OVER OTHERS?

In a rapidly evolving advertising landscape, a new wave of agency names is challenging traditional norms and capturing the essence of creativit...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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Star! Music Director! Singer!... Lyricist.

Why is the songwriter always last in the ‘hit parade’? Monojit Lahiri attempts to tune-in on this little-explored ...

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