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A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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SATYADEV DUBEY: THE MAD GENIUS

Playwright, director, actor, mentor, provocateur and iconoclast, Satyadev Dubey transformed Indian theatre through sheer force...

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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY

Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of three stories by Mahasweta Devi,...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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WEST BENGAL’S DEMOCRATIC HOSTAGE CRISIS

Satyabrata Ghosh examines West Bengal’s 2026 Assembly Election, voter deletions, AI-driven electoral discrepancies, Supreme Court observa...

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