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VIBE FINDS COMIC RHYTHM

When Incompetence Becomes Comic Heroism: Arnab Banerjee reviews Vibe, Kunal Kemmu’s action-comedy spy thriller starring Sparsh Srivastava, Preity Zinta and Va...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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STUDENT CITY SEASON TWO BEGINS

Dr. Piyush Roy’s Student City returns with Season 2, following Avi and Rahul through friendship, loneliness, campus life...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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PHULE’S THIRD EYE STILL BURNS

Prof Dr Avinash Kolhe reflects on a dramatic reading of Jyotiba Phule’s Trutiya Ratna, exploring its critique o...

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GEN Z TURNS POWER UPSIDE-DOWN

Vinta Nanda watches India’s Cockroach movement transform youth anger into irreverent resistance, challenging political ...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

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