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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE

Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining...

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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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HOW AIRTEL'S SOUND BUILT IDENTITY

A.R. Rahman's five-note Airtel anthem transformed sonic branding in India, proving that advertising music can become enduring ...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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EDEN CREEK BENGAL REVIEWED BRILLIANTLY

Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...

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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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