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IS FACE FUZZ TRENDING NOW?

Are men really back today, and what does facial hair say about modern masculinity? Monojit Lahiri explores how changing workplace cultu...

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PYRE: A PORTRAIT OF ABANDONMENT

Where the Mountains Stand Witness to Lives Left Behind: Arnab Banerjee examines Vinod Kapri’s Pyre, a moving por...

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HAS SOCIAL MEDIA HIJACKED STARDOM?

Monojit Lahiri explores how Bollywood’s old-world star mystique has been transformed by social media, celebrity culture and publi...

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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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PRAHAAR REVIEW: JUSTICE AND HEROISM

Prahaar examines Ujjwal Nikam’s role in landmark terror trials, championing due process while struggling to humanise its protagonist. Read More

DURGA PUJA: FAITH MEETS COMMERCIALISM

Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...

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BEYOND THE VOICE, SHIBANI KASHYAP

She Was Called "Just a Singer" Until She Wasn't... Sushmita Chaudhary reviews Shibani Kashyap's podcast with Sushma Gaikwad, a...

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NANA PATEKAR: THE ACTOR UNFORGETTABLE

Nana Patekar, one of Indian cinema’s most powerful actors, leaves behind an extraordinary legacy across Hindi and Marathi cinema,...

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YASH CHOPRA: BOLLYWOOD’S TIMELESS MAJNU

Monojit Lahiri remembers Yash Chopra, Bollywood’s quintessential romantic filmmaker, whose films transformed love, longi...

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